Arcanum in “actually quite good” shock
October 5th 2013
Publishers’ Weekly have (behind the paywall) a review – nay, the first ever review – of Arcanum.
I’m not equivocal about reviews, and I don’t think any author is, no matter what self-deprecating noises we make: we either ‘bleed in public or bleed in private’, and especially when I’ve spent something like eighteen months of my life working on the manuscript, whether or not anyone genuinely likes it outside of the people who either wrote it (me), had to read it (editors, proof readers), or read it out of familial duty (wife), assumes an importance that can be a little unnerving.
Even more so that I when I was interviewed over Skype (I have Skype now – fear me, mortals!) for PW, I was listening very intently for any hint that the interviewer hated the book, and moreover hated me for writing it and wasting rather a lot of her time. I have warned you this is a BIG book, haven’t I? Fortunately, she’d liked it, asked me lots of smart questions about the setting and the characters, and about my somewhat original writing process (‘sit down and just write the damn thing’ may or may not have been one of my answers).
So, to the review (very helpfully sent to me by Patrick Heffernan of Mysterious Galaxy Bookshop, purveyor of all your genre needs.)
Starred Review: Science fiction author Morden (the Petrovitch Trilogy) makes a masterful foray into an alternate universe where, a thousand years after the fall of Rome, Europe is divided into numerous petty kingdoms and magic is a tool and a weapon. The cunning Order of hexmasters—whose enchantments create bridges, power cities, underpin commerce, and annihilate entire armies—is the ruthless power behind the throne in the German palatinate of Carinthia. When the magic abruptly stops, enemies amass armies at Carinthia’s borders and mobs take over its streets. Under-librarian Frederik Thaler and illiterate huntmaster Peter Büber are both certain that the library holds the kingdom’s salvation. Capricious adept Nikoleta Agana may be the last remaining hexmaster. Twelve-year-old prince Felix is thrust onto the throne after his father’s death in battle. Willful, shamefully unmarried Sophia Morgenstern is determined to protect her fellow Jews from terror-fueled pogroms. An engrossing rollercoaster of a plot winds up with a solidly satisfying climax that leaves the reader craving more. Agent: Anthony Harwood, Anthony Harwood Literary Agency. (Jan.)
‘Masterful’? Check. ‘Engrossing’? Check. ‘Satisfying’? Check. ‘Craving more’? Yeah, okay. We’re good to go with this.