Piracy 2: the pirates strike back

January 30th 2012

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(Hell’s teeth, Morden – you’re such a nerd)

Well, that was interesting. Having fumed righteously against piracy in all its forms, I was contacted by a real live pirate (arrrr!) who put his side of the story. And I’m such a bleeding heart liberal, I not only took the time and trouble to read what he had to say, but also think seriously about the points he made.

And surprisingly (to me, at least) I am partly convinced: it’s certainly more nuanced than I allowed for. So I’ll try and go through some of the issues raised again, but this time with my special They Live glasses on. And yes, I do have plenty of gum.

Do I own the copyright to my work?   Yes. Yes I do. And yes, my ability to charge for my art depends on me being able to assert that right. As the original creator of a piece of fiction, I can choose to do one of several things with it: I can give it away for free (under a Creative Commons licence) like I have done with Thy Kingdom Come, for example. This way, the work can be distributed freely without alteration, but also without allowing anyone else to attach their name to that work. I’m happy to do that with older pieces of work – and one of the things I have to think about next is whether I do the same thing with Heart. I can also release excerpts of my work as ‘tasters’ (or advertising, if you like). If you like what you’ve read so far, you can then continue to read when you purchase a copy.

Do I need paying for my work?   Again, need is relative. Which is something I’ll touch on later. But for the moment, I live in a scarcity-driven capitalist economy. The future is not going to come and save me, supplying me and my family with fabbers and a Mr Fusion for all my energy needs. Likewise, I cannot eat a good reputation. One day I will. I have worked in a Gift Economy before, when I was a research scientist at a university. I provided not just my employers (the Natural Environment Research Council) with original research, but the whole world. In return, I was given enough money to live on: for the length of my contract, it didn’t matter if I produced one paper in a peer-reviewed journal, or half a dozen, but whether my contract was renewed at the end of it did depend on the quality of what I’d done already, that is to say, my reputation. I believe this is also a workable model for artists. But we’re not there yet. Click to read the rest of this item…

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Piracy and SOPA

January 20th 2012

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Right then. Piracy. SOPA/PIPA. Stuff like that.

I have very mixed feelings about the whole thing. On one hand, people who download music, films, books and audio that they would have ordinarily had to buy in order to listen to/see/read are stealing copyrighted material from their copyright holders. Downloaders make it increasingly difficult for artists to firstly, earn anything from their work, and secondly, make a living from their work so they can give up the day job and concentrate solely on their art.

In the case of the Metrozone books, they were pirated within a couple of days of being released as ebooks. Orbit (and their parent companies LittleBrown and Hachette) try and get those copies removed from file-sharing sites as soon as they can: they do so because the person uploading those files has no right to make them publicly available without the copyright holder’s consent.

And that copyright holder is not Orbit, or some faceless megacorp. It’s me. I’m the creator of the work, and it’s my copyright. By torrenting my work, you’re denying me income which I could put to good use – like repairing my roof and walls, which badly need doing, or saving for my children’s education.

Furthermore, because I’m losing digital sales, the next time I sell a book to Orbit, my advance goes down. Lost sales for the publisher results directly in lower advances for authors. Which means that fewer authors will be able to support themselves, and perhaps their families, with their work – and the vast majority of writers make peanuts as it is. With long, long hours and little pay, they’ll have to do something else instead of dedicating the time and effort into producing good prose.

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Spirituality and Creativity

January 15th 2012

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Someone on a forum I’m part of posted the following question: “Is there a link between being spiritual and being creative?” This was my response:

Creativity is part of us, and part of us all whether we are specifically Christian, generally spiritual, or completely materialistic. Story-telling (the bit I’m most concerned with), like music or representative art, transcends both time and geography – people tell each other stories, make music together and daub pigments on things throughout history and across wildly different cultures.

The question arises, does spirituality feed creativity? The answer is sublimely simple – yes, of course it does, but then so does pretty much everything else. Certainly, a great deal of creativity can be expressed within a formal religious context (providing that isn’t taboo), and a society’s religion provides a context for creativity.

A further question, though, is whether spirituality can inspire sublime works of art in an individual who otherwise would be mediocre? This is a much trickier claim to pin down: if you pick some of history’s greatest artists, it’s often individual genius and a large sack of cash that’s the potent combination, rather than anything else more numinous. Despite the popular image, there’s nothing more likely to depress creativity than starving in a garret or being so dog-tired from the day job that all feelings of creativity are sapped. Patrons are critically important to the production of great art – and it’s often the patron who decides on the subject matter. You could even argue that it’s the spirituality of the patron that’s important here.

I’m lucky in this respect. My wife earned enough that when we were divvying up child-care duties, it made much more sense for her to keep going to work and for me to stay at home. When the kids got older and were at school during the day, it meant I had time to write – in the warm, with a full belly. And even luckier, no one tells me what I have to write except the publishers, and even they realise they don’t have me over the same barrel that a lot of authors find themselves bent over: I don’t rely on them for a roof over my head.

So I’m sorry to be so prosaic, but those are often the realities.

Which was pretty much an off-the-cuff response, but does include Morden’s 3rd Law of Writing “Marry someone rich”, so clearly I’ve been thinking along those lines before. I’m just wondering if part of the new publishing model that’s always just around the corner might include, how shall we term them, stipends for writers, rather than an advance?

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Vibrating with happiness

January 10th 2012

Posted by: in: From the Author, Metrozone, News and Updates
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No, not that sort of vibrating…

The Metrozone series – all three books, no less – have been nominated for this year’s Philip K Dick award. I am properly stunned. Dick is one of the authors I not only enjoy, but admire: big concept stuff, played out at the personal level.

Congratulations to all the nominees – I’ll be dining out on this for a while!

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We’re going to need a bigger rabbit

December 31st 2011

Posted by: in: From the Author, Ignite, Metrozone, News and Updates
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When someone emails you (hi, Frank!) a highly complimentary note regarding the Metrozone books, and ends it with “I have some giant rabbits to make”, you just know you’re reaching the right people.

Frank's rabbit

2011 has been an extraordinary year – I’ve sold some books, I’ve got some more lined up, people have (mostly) liked what I’ve done so far. 2012 looks as if it’s going be be really hard work – Ignite is rich seam to mine but oy, that seam runs deep – but I wouldn’t miss it for the world. It’s probably going to be hard work for you, too. There’s an awful lot of things in the world that could really do with fixing, so if you don’t already, can I suggest you volunteer some of your time, doing something you feel passionate about, in your local community? The world starts just outside our front doors.

Here’s to you, and the difference you make. Happy New Year.

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A Petrovitch under the Christmas tree

December 26th 2011

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Hello.

Just a quick note to those lucky, lucky people who found one or more Metrozone books all carefully wrapped up in shiny paper and bows this Christmas. Once you’ve got over the eye-searing covers and read the expertly-written blurb on the back covers, you’ll be ready to start heading down the mean streets of post-Apocalypse London.

Two things to say at this stage:

Firstly, enjoy. Whilst the Metrozone is serious business (or srs bsns, as the kids say), the books are meant to be fun. If you find yourself snorting inappropriately as something terrible happens, don’t worry. You’re in good company.

Secondly, the Russian. None of it is translated. Just go with it – get the sense of it by reading it (it’s mostly phonetic), and if you’re desperate to find out what Petrovitch says, feel free to look it up on the internet. It is mostly absolute filth, though, as the guttersnipe was dragged up on the streets and paint-peeling insults are simply stock-in-trade for the man.

Other than that, welcome. Have a look around here for extra content, and if you’ve got any questions, don’t be afraid to ask!

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New other book announced – Ignite

December 14th 2011

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While I’m on…

Also mentioned in the December Orbit newsletter was the little matter of me writing a fantasy. While this is entirely true, it is not completely true. Ignite (for that is what the book is called) is not just a fantasy, it is more than a fantasy: have some blurb from the synopsis…

Rome was the centre of the largest, most powerful empire the world had ever seen, but that didn’t stop it falling to Alaric the Goth, his horde of skilled barbarian tribesmen and their wild spell-casting shamen. Having split the walls with their sorcery and slaughtered the inhabitants with their axes, the victors carved up the empire into a series of bickering states which were never more than an insult away from war.

 A thousand years later, and Europe has become an almost civilised place. The rulers of the old Roman palatinates confine their warfare to the short summer months, trade flourishes along the rivers and roads, aided by merchants using magic-powered barges and self-propelling wagons, and farming has – at least for the lucky few – become less back-breaking with millstones that turn themselves and ploughs that pull their own way through the soil.

 Even the barbarians’ pantheon of gods has been tamed: where once human sacrifices poured their blood onto the ground, there are parties and picnics, drinking and singing, fit for decent people and their children.

 But it looks like the gods are going to have the last laugh before they slip quietly into ill-remembered obscurity…

 Of all the old palatinates, alpine Carinthia is the most at ease: the richest, poised between north and south, east and west; the most peaceful, having not fought a single battle for over a century; the most magical, being the home of the highest, purest expression of European sorcery – the Order of the White Robe and the feared hexmasters, whose legendary powers brought down Rome and stopped the Genghis Khan’s Golden Horde in their tracks by turning the field of battle into a glittering lake of lava.

 The Prince of Carinthia shelters the Order, and gives them half the palatinate’s revenue. In return, the hexmasters guarantee that any aggressor, no matter how large their army or how many magicians they bring, end up as no more than a memory for the next generation to ponder. It’s been a very long time since someone tried.

 Magic is Carinthia’s wealth, its protection and its way of life. So what does a magic kingdom do when it runs out of magic?

What indeed. And in case you think I’ve gone all hey-nonny-nonny and foresooth on you, I managed to revolt myself with something I wrote towards the end of the the first section. It’s also destined to be a bit of a beast: I’m over 90,000 words in, and I feel like I’ve barely scratched the surface. I’ve no doubt that some of those words will fall out in the editing, but currently I’m looking at somewhere close to 200,000 words, if not more. Gadzooks, as they say (actually, they don’t. These people are descended from Goths, and they tend to call it as they see it).

I’m hoping to get parts I and II out of the way by sometime in January, and see how the land lies after that. This and subsequent posts will be tagged with Ignite to keep you up to date with everything.

 

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New Metrozone book announced – The Curve of the Earth

December 13th 2011

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Since Orbit have slightly jumped the gun on this in their December newsletter (in that I haven’t actually signed anything yet…), I’m assuming that it’s okay to publish the news here.

Which is Metrozone 4: The Curve of the Earth, will be published by Orbit, most likely in 2013.

It’ll feature your favourite sweary Russian genius, Dr Samuil Petrovitch, doing some monumentally stupid/heroic feats, kicking some seriously weapons-grade butt, and ratcheting up the global tension-meter to breaking point. You’re going to need guns. Lots of guns.

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The British Fantasy Awards 2011

October 9th 2011

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Right then.

This is a probably ill-advised attempt to sum up my thoughts regarding the most recent British Fantasy Society awards. If you’ve never heard of the society, or the awards, that’s fine – it is very much a minority sport. If you don’t want to read anything about the internal politicking of a small organisation focussing on the fantasy and horror genre in print and other media… then that’s fine too.

Firstly though, I have to declare some interests – the chief of which is that my novella Another War was published by Telos, and that I know Dave Howe well enough to consider him a friend. I’ve been going to FantasyCon (that’s the society’s annual convention) for the better part of a decade, without ever being a member of the society. I’m acquainted with most of the principle parties involved.

So, time for some background. The BFS awards are nominated by members, voted on by members to to form a short-list, and voted on again to decide a winner from that short-list (I think that’s right). This is the way it’s been done since I’ve been going, and the awards have always thrown up some unexpected winners. The voting pool is small (usually a couple of hundred people who vote), so statistically, that’s going to happen, and in some categories, the same person/publishing house wins every year for a substantial block of time. Peter Crowther’s PS Publishing magnanimously chose to sponsor the Best Small Press award, rather than dominate the field in perpetuity.

The awards (as both a punter, and as someone who was in a winning anthology) have, hand on heart, never been taken that seriously. Yes, it’s nice to see your friends win (cue ribald cheers and drinks in the bar), and sometimes the results leave you scratching your head, but it’s never been something to get too excised over.

Until now. Click to read the rest of this item…

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What I did in my holidays…

September 23rd 2011

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Right then, sorry I’ve been quiet for a bit. There’s a period of time between coming back off of holiday and getting everything ready for a new term that’s never quite long enough to actually get back up to speed. So here we are almost at the end of September, I’ve had my second bout of man-flu in a month, and the usual chaos reigns…

Greenbelt – was fantastic this year, as it is every year, but differently fantastic. The festival seems to reinvent itself every so often, and as the kids get older and need less looking after (I’m a great believer in benign neglect), the grown-ups get to do different stuff. As it was, I was down to do three sessions this time: a Q and A with my good friend and colleague RS (Ruth) Downie, creator of Roman detective stories, a revisit to the subject of Christian fiction, and a workshop on ‘How not to write a novel’. All three went excellently well. We had a good crowd for the Q and A, I didn’t get burnt at the stake as a heretic after the Christian fiction talk, and the workshop was wildly oversubscribed (but we managed to get everyone in anyway!). The only dark cloud on the horizon was the on-site bookshop not having any Metrozone books at all – it wasn’t personal, as they didn’t have lots of speakers’ books. One I was particularly keen to get was Andrew Philip‘s The Ambulance Box, and have him sign it/them – but for shame, the book ordering had gone seriously awry this year.

Other Greenbelty highlights were the triple-bill on Friday night of Show of Hands, Martyn Joseph, and Billy Bragg. I also got to hear (on Monday), the Unthanks and Mavis Staples, who rocked in every which way possible.

Also of writeringly interest, I managed (due to geographical happenstance) to get to a ‘Book wake’, for Gollancz’s Tom Lloyd, held up in London – got to meet some of the Gollancz crowd, who are lovely, and shout at them over the impossibly-loud music. Thanks to Gillian for inviting me, Simon for letting me come, and all the authors and booksellers I met there.

Then, back to the grindstone. Lots of stuff going on, so there’ll be more news soon!

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