January 10th 2017
10 days to go until the release of my next novella*. And when I say next, it’s only my second (after the tentacular Another War). There isn’t much I can tell you upfront about it, because to say too much would be to ruin the reading experience – it’s a multiply-layered mystery, set in the deepest of deep space. It’s very much a return to Proper Science Fiction, written with a calculator in one hand and a text book in the other, while I peck out the actual letters with my nose: you don’t get to see any of my working, but it did need to be there, lurking in the background, for plot purposes.
So what can I tell you about it? Apart from the fact that it’s brilliant and has a spaceship on the cover which I’ve never had before. Or that I had the best time ever writing it.
- I bought a book on special relativity so I could check through what I remembered and incorporate the latest thinking.
- I wrote some of the ms in a shed in a forest in the Cairngorms, recharging my little laptop up from a car battery which itself was topped up using a solar panel.
- I am currently obsessed with artificial intelligences, how they might perceive the world and how they would arrive at an ethical framework.
- You’ll notice some nods to some of the SF greats: Philip K Dick, Arthur Clarke and Larry Niven specifically.
- The MacGuyvering that happens is done in real-time. None of the story was plotted out first, and I just hoped I could work everything out as I went along.
The book comes in three flavours: ebook (kindle), paperback, and signed, limited edition hardback, and is part of a 4-set collection of SF novellas from Newcon Press, with contributions from myself, Alistair Reynolds, Anne Charnock and Neil Williamson. The set will be ‘officially’ launched at Eastercon this year, but I wouldn’t necessarily wait if you want the hardback. The Reynolds has already sold out…
Buying details are here.
*shorter work – it clocks in at 35,000 words. Please don’t get cross online because it’s not a full-length novel, like one Amazon reviewer did for Alistair Reynold’s The Iron Tactician, because they didn’t read any of the details and subsequently felt ‘cheated’.
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